Skip to main content

A Monster Calls Review - An Impressive, Unique Blend of Spectacle and Depth


There a lot of films about cancer, because it's a topic that many people relate to, providing a lot of dramatic and emotional potential. However, there are only so many times you can rehash the same basic storyline before it feels stale. Fortunately, A Monster Calls avoids that. Adapted from the fantastic book by Patrick Ness (based on an idea by Siobhan Dowd), this film tackles terminal illness from a refreshingly original angle.

A Monster Calls follows Conor (Lewis MacDougall) struggling to come to terms with his mum's (Felicity Jones) terminal cancer. On a dramatic level, the film explores how this affects Conor's life well, empathetically showing the effect it has on everyday activities and his relationships. Notably, it focuses on Conor's attempt to reconnect with his estranged father (Toby Kebbell) and the complex impact on Conor's difficult relationship with his Grandma (Sigourney Weaver).

Whilst all of this is done very well, it's not anything that hasn't been done before. However, that all changes once Liam Neeson's monster calls. The huge, motion capture tree creature visits Conor to tell him three fables. This plot device gives what could've been a standard drama a gothic fantasy twist, helping the film's tone stand out. These tales also contribute to Conor's character development, teaching him (along with the audience) how to handle how he's feeling. The plot eventually builds up to an intense emotional climax, ending with a resonant final lesson.

The fables themselves also showcase some wonderfully creative filmmaking. Neeson narrates them masterfully and they're visually represented by stunningly vivid animations. They resemble watercolours which, as well as looking gorgeously colourful, links them to the important role art plays in Conor's development.The simultaneous spectacle and emotional depth of the animation encapsulates the essence of the film, which manages to pull off a rare balance between the two.

A Monster Calls was a box office flop, which is a real shame. Despite dealing with familiar cinematic territory, the film achieves something original, without compromising on emotional power. If you're looking for something that'll fascinate you as much as it makes you cry, A Monster Calls is the perfect fit.

8.3/10

Comments

Popular posts from this blog

Molly's Game Review

Up until this point, Aaron Sorkin has exclusively been a writer. Responsible for creating iconic TV shows such as  The West Wing and The Newsroom , as well as recently penning the screenplays for  The Social Network and  Steve Jobs , Sorkin's dense, witty and rapid-fire style is successful with critics and audiences alike. However, Molly's Game marks Sorkin's first time in the director's chair. Unlike The Social Network and Steve Jobs , where Sorkin's writing was filtered through directors David Fincher and Danny Boyle respectively, this is purely his vision . Is it any good, or is it just an indulgent attempt to cram as many words into 140 minutes as possible? There is no doubt that Molly's Game is an Aaron Sorkin film. Dialogue is the centre of attention and for good reason: it's excellent. Of course, it isn't exactly naturalistic. Every line sounds like one that you come up with an hour after a conversation and wish you'd said instead. Howe...

Is Super 8 Any Good?

Super Gr8 Super 8 - A Late Film Review by Nathan Brooks Sorry, I can't hear you over the sound of a train exploding. A little while back, Disney bought Star Wars off of George Lucas. Shortly afterwards, they announced they were going to make not one, not two, not three, not four, not fi- oh no wait, it is five. Five new Star Wars films, the first of which, Star Wars: The Force Awakens, is being directed by J.J. Abrams. The real question, however, is whether Abrams will do a good job of it or not. Well, this is the film that makes me confident he will. Story On it's own the story isn't extremely amazing, it's just about a bunch of kids discovering a government conspiracy, although it is still interesting. It doesn't reveal too much, meaning you're kept in the dark throughout the majority of the film, so you're always wanting to find out what happens next. The thing is though, that's sort of a sub plot. The main part of the story is th...

Inside Out Review - Pixar Back on Form

In the middle of 2014, I remember thinking to myself that I didn't really care about Pixar anymore. Back then I just thought it was because I'd grown out of it. I was 12, I was older now, I could legally buy a Marvel film on DVD, I could get library books out without my parents knowing, I didn't need to watch these silly children's films. In hindsight, however, I see it differently. The problem wasn't me, it was Pixar. Just look at the last films they'd made; Monsters University (2013), Brave (2012) and Cars 2 (2011). None of these were awful films by any means, but they weren't really up to Pixar's usual standards. Then along came Inside Out and I realised that I was being ridiculous. I hadn't grown out of Pixar, there's no such thing. Whilst Minions  appealed mainly to younger audiences by being just plain silly, with silly jokes, silly stories and silly characters, Inside Out, just like Pixar's best work, appealed to everyone by being ...