Saying I'm excited for Star Wars: The Force Awakens is like saying Donald Trump is a bit racist. Calling it an understatement would be an understatement. As a result of my stupidly high levels of excitement, I'm going to dedicate the next week (in theory) to purely Star Wars content. Starting from today, I'm going to review all six Star Wars films as well as The Force Awakens (in theory). In other words, I get to channel my excitement and you get to read some reviews (in theory).
The Force Awakens was supposed to be bad. It's the seventh film in a franchise, following on from three films that were not well received and is (technically) a Disney sequel. I have now gone to see it four times. Technical Brilliance As far as fundamental filmmaking is concerned, The Force Awakens surpasses any of the previous Star Wars films. It's by far the best written Star Wars film, not that the bar was set particularly high. Still, it's a surprisingly witty film. Aside from the odd line of obligatory exposition, dialogue is very snappy, fast paced and unexpectedly funny. I've probably laughed more in this film than I have in many so-called comedies. While it's not exactly Aaron Sorkin level, J.J. Abrams’ fantastic directing and the actors brilliant delivery, as well as the tight, fast paced editing do help to elevate it. Speaking of the editing, The Force Awakens is also much better paced than any of the other Star Wars films. It's constantly ...
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