Saying I'm excited for Star Wars: The Force Awakens is like saying Donald Trump is a bit racist. Calling it an understatement would be an understatement. As a result of my stupidly high levels of excitement, I'm going to dedicate the next week (in theory) to purely Star Wars content. Starting from today, I'm going to review all six Star Wars films as well as The Force Awakens (in theory). In other words, I get to channel my excitement and you get to read some reviews (in theory).
Up until this point, Aaron Sorkin has exclusively been a writer. Responsible for creating iconic TV shows such as The West Wing and The Newsroom , as well as recently penning the screenplays for The Social Network and Steve Jobs , Sorkin's dense, witty and rapid-fire style is successful with critics and audiences alike. However, Molly's Game marks Sorkin's first time in the director's chair. Unlike The Social Network and Steve Jobs , where Sorkin's writing was filtered through directors David Fincher and Danny Boyle respectively, this is purely his vision . Is it any good, or is it just an indulgent attempt to cram as many words into 140 minutes as possible? There is no doubt that Molly's Game is an Aaron Sorkin film. Dialogue is the centre of attention and for good reason: it's excellent. Of course, it isn't exactly naturalistic. Every line sounds like one that you come up with an hour after a conversation and wish you'd said instead. Howe...
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