Saying I'm excited for Star Wars: The Force Awakens is like saying Donald Trump is a bit racist. Calling it an understatement would be an understatement. As a result of my stupidly high levels of excitement, I'm going to dedicate the next week (in theory) to purely Star Wars content. Starting from today, I'm going to review all six Star Wars films as well as The Force Awakens (in theory). In other words, I get to channel my excitement and you get to read some reviews (in theory).
On an entirely surface level, Hail, Caesar! is a really silly film. The sets are bright and colourful, the characters are bombastic and larger than life and the plot is completely insane and all over the place. If you take a closer look, however, it's much more intelligent than it initially comes off as. Yes, the sets are bright, but their attention to detail is so fantastically minute, you're totally convinced that this is the 50's. The fake film sets are also just as convincing and the films themselves could easily pass off as authentic, if it wasn't for the 21st Century actors populating them. They are obviously slightly exaggerated, for the sake of satire, which probably resonates more with those familiar with retro cinema than regular filmgoers. It's also shot brilliantly by cinematographer Roger Deakins (who was recently Oscar nominated for his work on Sicario ), who manages to make the film feel like something that's not only set in the 50's, bu...
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