Skip to main content

Star Wars: The Empire Strikes Back Review - The Dark Side of the Trilogy


After the massive success of the first film, it seemed logical to make a follow up. Unfortunately, George Lucas, due to the amount of work and stress involved in making Star Wars, really didn't want to do it again. As a result of this, Lucas just wrote the story. He didn't direct it this time, he didn't even write the screenplay. Fortunately, however, this all worked entirely in Empire Strikes Back's favour, because Empire Strikes Back is, without a doubt, the best of the original trilogy and quite possibly one of the greatest pieces of mainstream cinema ever.

Boundless Imagination

In Empire, you once more find yourself exploring some of the most exciting, unique and vibrant locations and meeting the most bizarre creatures and characters, just as you did in A New Hope. This time, however, everything's even more exciting, even more unique, even more vibrant and even more bizarre.

We start off on Hoth, a freezing cold desert planet littered with humongous caves and shrouded entirely in snow. You see people riding snow goat/horse hybrid things called tauntauns, getting attacked by a massive yeti like creature called a wampa and going into battle in snowspeeders against giant four legged walkers known as AT-ATs and it only ever gets better.

From giant space worms inside asteroids, to little green men living in huts on a swamp planet, to a city entirely in clouds, nothing is ever mundane or boring and the same can be said for the action. As previously mentioned, the film starts off with an amazing action sequence on Hoth, with the Rebels defending against an attacking army of Imperial walkers and snowtroopers. There's also rapidly paced space chases through asteroid fields, crash landings on swamp planets and an amazing lightsabre duel at the end of the film between the main protagonist and antagonist, that's way more intense than anything ever seen before.

All of this manages to maintain a timeless look, thanks to the consistent use of practical effects over special effects, just like the previous film. The lightsabre duel, for example, maintains a raw and physical feeling that makes the fight feel more real and therefore more engaging. The special effects have improved, as well. There's some fantastic use of stop motion, mainly in the tauntauns and AT-ATs, that's really convincing and the sets are still incredibly detailed and beautiful to look at.

Empire Strikes Back is exploding with just as much creativity, if not more, than its predecessor, and is also just as timeless thanks to its use of practical effects and real sets.

The Better Filmmaker

Empire is directed by Irvin Kershner and the screenplay written by Leigh Brackett and Lawrence Kasdan. These three people are responsible for a lot of Empire's superior quality over the rest of the Original Trilogy. Whilst Lucas does an excellent job in providing the story, it's these three people that bring a level of competence in both directing and writing that Lucas just, unfortunately, doesn't seem to have.

First of all, the script is so much better than it is in A New Hope. Gone are the robotic lines of dialogue, instead replaced with dialogue that's far more natural and, as a result of that, much more emotionally engaging. You can see actual human beings interacting on screen, not just actors reading out lines from a piece of paper.

Kershner is also a much stronger director than Lucas. He directs the actors in a way that feels, just like the script, more human. This is especially important, considering that Lucas's story provides much more emotional depth than the previous outing and Kershner manages to deliver spectacularly, directing some of the darkest, most exciting and iconic scenes in Star Wars history.

The actors are still fantastic and have really become their characters by this point. Kershner directs them perfectly and Lucas's story allows them to explore their characters much further than before. Harrison Ford is still just as confident and big headed as before, but he's now more vulnerable too, thanks to the introduction of his character's relationship with Leia. Mark Hamill's Luke has also become more mature than before (and considerably less whiney).

All of these things come together to make what is easily the most competent of the original trilogy, with the most human and engaging directing, writing and acting of the three.

Delving Deeper

As previously mentioned, Lucas's story is a far more emotionally involved than in the previous film. It's also much darker and, thanks to that, much more exciting.

There's more of a focus on the characters this time around. It explores the relationship between Han Solo and Princess Leia, but it mainly focuses on Luke. It deals with his troubles with the family he never knew and it deals with him trying to resist the pull to the dark side. It also deals with his recklessness, his compulsive behaviour to save his friends no matter how dangerous and stupid it might be. It explores a lot of this on Dagobah, where he's trained by Yoda, a sort of grand old wizard type character, who's brilliantly performed by Frank Oz in arguably his most iconic role.

It's far darker as well, without a doubt the darkest of all the Star Wars films. There's the fantastic sequence on Dagobah where Luke fights something he believes to be Darth Vader, chops of his head and is shown that, underneath the mask, is his own face, cleverly implying (in a terrifying way) that if Luke continues down this path of hatred (and chopping of people's heads) he's going to end up just like Darth Vader.

Then there's the famous reveal, the most infamous and harrowing plot twists in cinematic history. After a brutal, violent and incredibly physical lightsabre duel between Luke and Vader, in which Luke gets his hand cut clean off by Vader and his left clinging on to the edge of a platform hanging above a humongous pit, Darth Vader reveals to Luke something nobody saw coming, that changed everyone's outlook on the entire saga. You probably know what I'm talking about already, so there's no point in saying it, but the point still stands, this was a twist like no other.

Compared to A New Hope, it's amazing how much more daring Empire Strikes Back is. It doesn't even have a happy ending. Thanks to this, however, Empire Strikes Back is easily the most exciting, engaging and entertaining of the original trilogy.

Verdict

I'm not saying anything that hasn't been said before when I say that Empire Strikes Back is without a doubt the best of the original trilogy. It expands on the fantastic universe A New Hope introduced both creatively and emotionally, creating something that's both exciting and engaging. It's also much darker as well, dealing with much more mature things than the rest of the trilogy and it ends on an incredibly sombre note. It's also an all round better made film, with more confident directing and a more human script and the acting has also improved immensely. Everything that was introduced in Empire's predecessor has been made so much better, making Empire Strikes Back not only the best Star Wars film, but a gold standard for sequels everywhere.

9.4/10

Comments

Popular posts from this blog

Hail, Caesar! Review - Genius Behind the Madness

On an entirely surface level, Hail, Caesar! is a really silly film. The sets are bright and colourful, the characters are bombastic and larger than life and the plot is completely insane and all over the place. If you take a closer look, however, it's much more intelligent than it initially comes off as. Yes, the sets are bright, but their attention to detail is so fantastically minute, you're totally convinced that this is the 50's. The fake film sets are also just as convincing and the films themselves could easily pass off as authentic, if it wasn't for the 21st Century actors populating them. They are obviously slightly exaggerated, for the sake of satire, which probably resonates more with those familiar with retro cinema than regular filmgoers. It's also shot brilliantly by cinematographer Roger Deakins (who was recently Oscar nominated for his work on Sicario ), who manages to make the film feel like something that's not only set in the 50's, bu...

Is Avengers: Age of Ultron Any Good?

Avengers Assemble! Again! Avengers: Age of Ultron - Film Review by Nathan Brooks And they say English Weather's bad. Back in the summer of 2012, a little film came out called Avengers Assemble. It wasn't much. It's only the biggest superhero film of all time and it only made $1.518 billion. Everybody loved it, I loved it and clearly moviegoers did as well.  Due to its massive success, obviously a sequel was going to be made. In this case, that sequel is Avengers: Age of Ultron, but with all the hype it's received, is it actually any good? Story The story in this film is definitely not for first time Marvel viewers, you really need to see most, if not all, of the previous Marvel Cinematic Universe films. It is packed full of references to earlier films and understanding a lot of elements of the story will require you to have seen the others. But is the story any good? I thinks so. The main story centres around the fact that Tony Stark, or Iron Man, has ...

Jurassic World: Fallen Kingdom Review

Jurassic Park never needed to be a franchise. As a thriller, Jurassic Park inherently works better the more compact it is, so stretching it into multiple sequels seems rather counterproductive. Of course, I wouldn't mind if these sequels were good. Unfortunately, they are not. The Lost World , the first follow-up, does nothing new for virtually the entire film - only hinting at a distinctive identity in the final act. Jurassic Park 3 was even worse. The characters are so unengaging and the action so toothless you end it feeling like you've stared at an empty void for ninety minutes. Colin Trevorrow's 2015 sequel/reboot Jurassic World slightly reinvigorated the franchise with flashy new visuals, but it also suffered from bland characters and a muddled script. However, against all the odds, I still foolishly had my hopes up for that film’s follow-up Fallen Kingdom . I did have my reasons, to be fair. J.A. Bayona was taking over directorial duties and he's an exce...